I just love this new book by Professor Brian Moeran of Copenhagen Business School. Professor Moeran is a business anthropologist, which means he goes into real companies and watches what real creators do. And just as I’ve found in my research, when you study closely the reality of creative work, you quickly get disabused of a lot of creativity myths. Myths like the belief that creativity results from a solitary person having a flash of insight (when really it emerges from groups and teams); or, myths like the belief that creativity is all about having an idea, when in fact creativity is about engaging in the hard work of making and doing.
In this new book, The Business of Creativity: Toward an Anthropology of Worth, Moeran brings together many different anthropological studies of creative workplaces. After reading this book, you’ll have a deeper understanding of the reality of creativity and innovation, and you’ll never believe in those creativity myths again. I loved the book so much, that I agreed to write one of the back cover endorsements, and here’s what I wrote for the publisher after I read a pre-release draft:
This brilliant book is filled with profound insights on every page. Moeran’s book is a window into the creative process; he convincingly shows that creativity is embedded in cultural practices and collaborative relationships. His ethnographic studies, mostly in Japan but also in Denmark, reveal that creativity emerges from collaborative improvisations, unpredictable but always grounded in conventions, norms, and cultures. If you are interested in creativity, innovation, and the role of creative work in today’s economy, you absolutely must read this book.
When I received my copy of the book last week, I saw the other back-cover endorsement, by one of my scholarly heroes, Howard S. Becker (author of the seminal book Art Worlds):
Brian Moeran’s deep, detailed investigations of a sparkling variety of work situations lead him to an understanding of creativity, solidly based on close observations of people at work, that anchors this field, so often mired in vague talk, in the real world of potters, fashion magazines, perfumers, and other workers who are on creativity’s front line.
Amen. And by the way, if you haven’t read Becker’s book Art Worlds, stop everything you’re doing and buy it right now.
I should probably add that Moeran’s book is not written in the accessible, trade press style you would associate with someone like Malcolm Gladwell; this is a scholarly book, and it will take some effort and energy to read, especially if you are not a scholar or professor. But the effort will be worth it.