Leading for Innovation

I’m reading an impressive new book from Harvard Business Press, the massive 822-page Handbook of Leadership Theory and Practice. It contains chapters by leading scholars like J. Richard Hackman, Joseph S. Nye, Michael E. Porter, and Rosabeth Moss Kanter. I first learned about this book when I received an email from one of my European colleagues, the Italian architect Maurizio Travaglini. Travaglini is the co-author of one of the chapters, along with Professors Linda Hill and Emily Stecker of Harvard, and Greg Brandeau of Pixar. What a great set of authors! Their chapter is titled “Unlocking the slices of genius in your organization” and it’s a wonderful and concise summary of what we know about leading for innovation.

I heard from Maurizio Travaglini soon after the 2007 publication of my book Group Genius: The Creative Power of Collaboration. He was excited by my book, because his architecture firm is named “Architects of Group Genius”– what a coincidence! Travaglini’s firm designs spaces to foster collaborative creativity–for example, they desiged some special session rooms for the World Economic Forum in Davos, Switzerland.

There are a lot of overlaps between this new article and the material I cover in Group Genius, and I’m honored that the authors quote my book extensively. Co-author Greg Brandeau of Pixar contributed many insights about innovation at Pixar, where they live and breathe the message of my book. As this article puts it, “most innovation is generated from the bottom up, by self-organizing teams of talented individuals” (p. 616). The article cites my writings on the Wright Brothers, on creative abrasion and diversity in teams, and they tell similar stories about Thomas Edison, IDEO, Pixar, Herman Miller, Gore, and even MIT’s legendary Building 20.

In my view, the most important contribution of the article is their list of five “paradoxes of innovation”–each one an opposition between two forces, in tension, and maximum innovation results when the two forces are optimally balanced for the business environment, industry sector, and goals of the company.

1. Individual identity — Collective identity

2. Support — Confrontation

3. Learning and development — Performance

4. Improvisation — Structuring

5. Bottom-up — Top-down

In my own research I’ve focused on these last two. I call it the innovation paradox: All innovation comes from a bottom-up, improvisational process, but it has to be guided by top-down structures if it is to result in successful business outcomes. It’s hard to get that balance exactly right, and the exact nature of the balance will vary with every organization. As this new book chapter says:

The leaders in our study understand that innovation is often the result of grassroots efforts. Hence, they encourage and reward both autonomy and attempts at co-design. These leaders encourage peer-driven processes of self-organizing and self-governing…Hierarchy is alive and well in these organizations, but it is used on an as-needed basis…The leaders of innovation that we have studied lead from behind, as opposed to leading from the front.

When you manage the right balance between improvisation and structure, between emergent bottom-up innovation and top-down guidance, you are leading for innovation.

3 thoughts on “Leading for Innovation

  1. HI Keith, I’m not sure if I’ll reach you by this means but I’ll give it a try:

    I really appreciate your blog posts and this one raises a question which I’ve been pondering for sometime.

    I know you are a big proponent of collaboration as a means to increased creativity and innovation. And I was just recently reading Quiet: The Power of Introverts in a World that Can’t Stop Talking by Susan Cain. She included a chapter on Creativity where she undervalues the effectiveness of brainstorming and makes the point that more innovation has resulted from people working alone than from collaboration. She cites all these examples of inventors and innovators who worked alone. And I know from my own studies of creativity and my experience that insights are a powerful moment that can lead to great creativity and that often takes place in solitude. What would you say in response to her claims and what would you say is the role of insights in creativity??

    I’m very curious to hear your opinion.

    Warmest regards,

    Ginny Santos

    Possibilities In Motion http://possibilitiesinmotion.wordpress.com/

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